Originally published on Thu December 13, 2012 3:44 pm
The energy in the room is palpable, as Wynton Marsalis launches into "Dipper Mouth Blues," a tune named for King Oliver's trumpet player, Louis Armstrong. "New Orleans Bump" features the whimsical clarinet of Victor Goines.
I'm Michel Martin and this is TELL ME MORE from NPR News. Coming up, those apps you've been downloading to keep the kids occupied during car rides and sports practices? It turns out, according to federal regulators, they are collecting all kinds of information that they aren't telling you about. So we will. In a few minutes.
And finally today, we want to take a moment to remember a legend in Indian classical music. Ravi Shankar died this week at the age of 92. He played the sitar, a long six-stringed wood instrument. He used it to communicate Indian music and culture to an American audience, and in fact audiences around the world. Shankar is known both for his own musicianship and his collaborations with Western greats like the Beatles and John Coltrane. Here's a collaboration with American violinist Yehudi Menuhin. The album is called "West Meets East."
I'm Michel Martin and this is TELL ME MORE from NPR News. Coming up, she is Palestinian, Muslim, she has cerebral palsy and she earns a living as a stand-up comic and that is no joke. We'll meet Maysoon Zayid in just a few minutes.
But, first, we want to talk about something you may want to have on your radar if you're still shopping for holiday gifts and one of the things on your list is a mobile device, especially one that a child might use or borrow.
Originally published on Mon January 28, 2013 12:41 pm
Take a group of heavyweight jazz masters — the kind who helped to make the classic records that defined the modern idiom — and put them together on stage: Of course there'll be fireworks. But the all-star collection known as The Cookers has cohered into a band which has toured for five years now, and released three albums of mostly original compositions. Their latest, 2012's Believe, proudly captures this band's meat-and-potatoes spirit, and brings some deserved attention to its members' storied and ongoing careers.
It's been one of those weeks that makes you not want to open the paper, not want to turn on the news. A young woman with a child in her arms was killed by the father of that child, who then flees and goes on to take his own life.
You might think I am talking about the Kansas City Chief's Jovan Belcher, who shot his girlfriend and his baby's mother, Kasandra Perkins, to death and then drove to the team's practice facility, where he took his own life. But incredibly, I'm not.
This is TELL ME MORE from NPR News. I'm Michel Martin. Coming up, another young woman, a mother, has been killed by a man who supposedly loved or at least cared for her. That got us thinking about the political fight over the ways to address violence against women. We're going to talk about that with our panel of women commentators. We call it the Beauty Shop and it's coming up later in the program.
I'm Michel Martin and this is TELL ME MORE from NPR News. Coming up in my Can I Just Tell You essay, I want to share some thoughts and some surprising facts about violence in relationships. That's in just a few minutes.
But, first, it's time for the Beauty Shop. That's where we get a fresh cut on the week's news with a panel of women writers, journalists and commentators.
On a new box set from mail-order house Mosaic Records, Charles Mingus, The Jazz Workshop Concerts 1964-65, the jazz legend's bands usually number between five and eight players. The bassist often made those bands sound bigger. He'd been using midsize ensembles since the '50s, but his new ones were more flexible than ever, light on their feet but able to fill in backgrounds like a large group.