Originally published on Thu January 10, 2013 11:42 pm
A few weeks ago, I had the pleasure of joining Bob Boilen and Robin Hilton on All Songs Considered as they previewed some of the big upcoming releases of 2013. My pick was No Beginning, No End by the chameleonic vocalist Jose James.
This is TELL ME MORE from NPR News. I'm Michel Martin. Now, we want to return to a story we've visited many times before, especially in the last three years. That's when an earthquake devastated the nation of Haiti. It left tens of thousands of people dead - nobody's really sure how many - and tens of thousands of people displaced.
I'm Michel Martin, and this is TELL ME MORE, from NPR News. Coming up, that devastating earthquake hit Haiti three years ago. The country is still trying to rebuild. We'll hear from an author who has been traveling to Haiti for years, both before and after the earthquake, and she offers some bracing observations about what has actually made a difference in the country and what hasn't. We'll talk with the author of a book called "Farewell, Fred Voodoo." That's in just a few minutes.
The Obama administration spent more money on immigration enforcement last year than it did on all other major federal law enforcement agencies combined, according to a new report. Host Michel Martin discusses that budget and unsettled immigration issues with the report's author Doris Meissner.
The Beauty Shop ladies weigh in on President Obama's national security nominations. They also talk about whether reality television has sunk to a new low this season with shows about rural partying and baby mamas.
The Emancipation Proclamation celebrates its 150th anniversary this year. But not everyone knows the real story behind the document. Host Michel Martin speaks with historian Lonnie Bunch, about what the Emancipation Proclamation did - and didn't do.
As a teaching assistant for UCLA's undergraduate course "Jazz in American Culture," I spend much of my time in a scene found on college campuses around the world. My professor, the seasoned jazz guitarist Charley Harrison, lectures eager students on the music's geniuses. In the evening, he directs the college big band through classic Swing Era repertoire and modern reinterpretations of it. Harrison and his colleagues also lead smaller ensembles that take 1960s hard bop as their aesthetic core.