The last time Fred Hersch was featured on Weekend Edition Saturday, the headline read, "Back On Stage By No Small Miracle." It was 2009, and scarcely a year earlier, the jazz pianist had suffered AIDS-related dementia and fallen into a coma for several months. Since recovering, Hersch has come roaring back to music, releasing a string of live albums to critical success.
Impulse Records is the legendary label that proudly delivered the "new thing" in jazz in the 1960s: avant-garde records from the likes of John Coltrane and Pharaoh Sanders. It also helped jazz cross over to a larger audience; quite a few flower children bought Impulse albums.
The vibraphone is a special instrument. That spooky, smoky, sparkling sound — there's nothing like it. And there's nothing like hearing the vibes played by Bobby Hutcherson.
Hutcherson has covered a lot of ground on his instrument. In the 1950s he was already playing professional gigs, as a teenager. In the '60s, he was a leading light of jazz's avant garde, breaking new ground on some of the most revered LPs issued by Blue Note Records.
Blue Note Records is the kind of record label that people like to call "storied" — so celebrated and impactful that no one narrative can capture its essence. From swing to bebop and hard bop, through fusion and the avant-garde, Blue Note has been telling the story of jazz in the grooves of its records since 1939 — and for its 75th anniversary, it's releasing remastered vinyl editions of some gems from its catalog. But the real legacy of the label is too big to capture on disc.
Jazz composer and trumpeter Theo Croker opens his new album, AfroPhysicist, with an ode to his grandfather: New Orleans jazz great Doc Cheatham. The thing is, Croker didn't grow up in New Orleans or any other jazz hub. He's from Jacksonville, Fla., and he was just a child when his grandfather died in 1997. It wasn't until his grandfather's memorial services — attended by jazz legends — that he decided to join the legacy.
When you consider that critics have been writing about him for over 60 years, it can seem as if there's nothing left to say about Sonny Rollins. But there is – because over the decades, the "Saxophone Colossus" has never stopped growing or adding to his sound.